Across his career, Zao sought to create works that captured the elemental forces of nature. Yet the work also reflects the descriptive brushwork found in traditional Chinese painting. By the end of his life Zao had stopped producing new paintings due to health problems. Sydney Waintrob, Zao Wou-ki devant This article may be expanded with text translated from the corresponding article in French. Post-war and Contemporary Art – vente du soir Paris 4 Dec.
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Born in Beijing, he attended the National School zzao Arts in Hangzhou inwhere he became a zzao instructor in In the s, fascinated by Shang-dynasty oracle bone script — the earliest known form of Chinese writing, dating as far back as BC — Zao created works featuring simple figures evocative of petroglyphs, expressing his interest in capturing the fundamental essence of forms.
This page was last edited on 7 Aprilat In both his schooling and teaching domains, Zao moved freely between Chinese painting techniques and Western-inspired abstract compositions and found a profound affinity between the two traditions.
His most significant solo exhibitions in the recent years are: He left the U. Those early polyptychs are mostly altarpieces in the forms of diptychs and triptychs that depict scenes of saints and humans.
While his work was stylistically similar to the Abstract Expressionists whom he met while travelling in New York, he was influenced by Impressionism.
Many of his paintings from the s feature signs and glyphs that resemble the proto-writing found on Woou Dynasty oracle bonesan early form of divination. A tianqiuping vase commissioned by the Qianlong Emperor Why this nearly year-old Celestial Sphere vase will set hearts fluttering when it xao to auction on 30 May.
Yet the work also reflects the descriptive brushwork found in traditional Chinese painting. Woh produced numerous watercolour sketches and drawings throughout his lifetime, many of which showcase the moods and aou that characterised his oeuvre. In this electrifying piece, an intense bright yellow is set against a surrounding blackness, like a burst of light spreading outwards into a dark, unfathomable space.
This lot is offered in Beyond Compare: ByZao was no longer naming his works, but instead titled them with the date of their completion as a way to avoid ascribing overt visual associations. His confident transition is clearly demonstrated in 2.
His oeuvre traverses the aesthetic debates that accompanied the development of modern art, and while part of a rewarding Paris scene, he was very quick to spot the vitality of American painting; in addition he was gradually returning to certain aspects of Chinese painting that he had previously severed contact with. Inat the age of 21, Zao presented wouu first exhibition in Chongqing. His work has now achieved the fame it deserves, but the opportunities to appreciate its complexity have been too rare here.
He names them with the date in which he finishes them, and in them, masses of colours appear to materialise a creating world, like a big bangwhere light structures the canvas.
‘A visual shock to the senses’ — masterworks by Zao Wou-Ki
His father, a banker, encouraged his early interest in art, sending Zao to study at the Hangzhou School of Fine Arts, where his work was largely figurative. Zao wou-kiUntitled, An organic, splash-like motif, executed in dark linear brushstrokes that are simultaneously delicate and bold, takes up the central plane. When Zao resumed painting large-scale canvases, his style witnessed a dramatic shift, gaining a new translucence and vibrancy inspired directly by his work with inks.
Abstraction was not well received in France during the immediate post—World War II period, as its apparent lack of content or subject were deemed inept to express the brutal realities owu the war and its aftermath.
Sydney Waintrob, Zao Wou-ki devant Hong Kong Edition Online Nov.
Zao Wou-Ki – de Sarthe Gallery
The French capital was an inspiration for Zao, who had idolised Matisse and Picasso in his formative years and continued to be influenced by Western modernism and the work of the Impressionists and Expressionists. Hong Kong 25 Nov. Poetry and music were for him two enduring poles of attraction, providing a kind of tension with his painting and, as his art grew more assured, giving meaning to the declaration he inspired from Michaux early in their friendship: Enter your email address Confirm the subscription to the newsletter.